I was online window shopping for my dream DSLR only to end up reading about the unexpected nightmare that DSLR footage can become in post. The .MOV or .AVI files that most cameras shoot can be super glitchy in a Final Cut time line, and can’t really handle effects or text at all.

Luckily a nice guy at B&H named David posted this super helpful guide to converting your footage–  “This article was written to help anyone that’s been there. I feel your pain.” He includes advice for both Final Cut’s Compressor and MPEG Streamclip, but recommends Compressor over all.

I have one bonus tip: have something awesome to do while you’re converting, because it can take a loooong time.