Follow Us:
Share:
-
Pages
Subscribe to Our Newsletter
Blogroll
- A List Apart
- AdPulp
- Adrants
- Adverblog
- Advertising Age
- AgencySpy
- ANIMAL New York
- Aziz is Bored
- Beet.TV
- Ben's Blog
- Best Recession Ever!
- Brain Pickings
- Brand Autopsy
- Brand New
- Brian Solis
- CinemaTech
- Contagious Magazine
- Contentinople
- Creativity Online
- Digital Media Law
- Digital Media Wire
- Digital Video
- Ears of the Beholder
- Everything Communicates
- Fake TV
- Filmmaker Magazine
- Final Cut Producer
- Fix Rss Feed
- Frank151
- FreshDV
- Futurelab
- Going Social Now
- Hecklewood Clothing
- HIPSTER RUNOFF
- IFC – Indie Eye
- illegalsigns
- IndieFlix
- infinicine
- Influx Insights
- Jaffe Juice
- Jawbone.TV
- Looseworld
- Mashable
- Maximum Fun
- Media Decoder
- MediaShift
- NewTeeVee
- nina reyes rosenberg
- paidContent.org
- Post Advertising
- PSFK
- Rhizome
- Romenesko
- scatter/gather
- Self-Reliant Film
- Shooting People
- Signal vs. Noise
- SpringBoardMedia
- STREET BONERS and TV CARNAGE
- TechCrunch
- The Anti-Advertising Agency
- The Awl
- The Biz Blog
- The Digital Blur
- The Documentary Blog
- The Live Feed
- The Rap Up
- Tilzy.TV
- Videogum
- WorkBook Project

The DSLR vs Prosumer HDV debate rages on
For: DSLR’s can offer some of the finest image quality available in high-def video, short of a Sony Red, allow filmmakers a wide degree of lens versatility and is way cheaper than an HVX or other similar dedicated video cameras.
Against: DSLRs weren’t made strictly for video, can generally only record 12-18 minutes at a time, have limited audio solutions and just don’t look that professional (though that can be fixed).
Bottom line, I think a lot of it depends on what you’re actually shooting. DSLRs are sick for music videos, ads, short films. If I’m producing a doc, however, I’d always be more comfortable with a shooter using a real video camera, which allows for more manual controls when you’re in the mix. Those are just my thoughts. What are yours?