I’ve been an admirer of Video Volunteers for awhile now, having learned about their global-empowerment-through-media-production initiatives while still at Current. I’ve got to say, though, their new initiative VCU.br, feels pretty next level. In addition to teaching young, aspiring media professionals the basics of digital production and new media storytelling, they’re also teaching them HOW TO MAKE MONEY MAKING MEDIA.
Jessica Mayberry, of Video Volunteers, explains it like this:
We’re giving them entrepreneurship training in things like how to make contacts in the TV industry, how to write a proposal for grants or for NGO films, and how to write a “pitch” to a TV station. They are learning about financial planning for themselves and for a small business, and how to work with clients. Most crucially, they are learning about the spaces that exist for people like them in the new world of “citizen journalism” and low cost technologies, and are thinking deeply about the kinds of unheard stories from their favelas that they may be uniquely poised, above even the “professionals,” to tell.
We’re definitely going to be keeping an eye on what kind of content comes out of this initiative and maybe to try to touch these developing world creatives to produce some video for Urgent in the future.
More here.

2 Comments
thanks for picking up on this, Brandon. your experience in current is pretty relevant to this proejct… we’re basically asking, what are the possibilities for producers from slums in the universe that Current was (is?) creating for independent filmmakers.
it’s a tough question, Jessica, especially in terms of building a sustainable revenue stream. i can imagine news/media outlets being interested in 1 or 2 stories from the slums, but it’s hard to see them wanting more than that.
even when we were at current (which really isn’t interested viewer-created content anymore), we wouldn’t have been able to pick up more than a handful of slum stories.
i guess my question back to you is what the subject matter these young storytellers will best have access to? and can they find ways to continually create new angles on it? i think starting with stories in mind will help drive the content to outlets that WILL be able to tap your new pool of media-creators.
hit me up and keep me posted on this project – Henry